Something we've all been waiting for happens...no hints...and like a domino snake, every prominent third year senpai has to deal with a crisis of conscience. Except Asuka. Asuka has her own path staked out and well-marked. Not that Asuka doesn't have much to do in episode 7...heavens, no. In fact, we learn more about Asuka in this episode than anyone else.
Coming up in Episode 7:
President Haruka has a moment of self-doubt!
Asuka is conclusively shown to be just as real a character as everyone else!
Reina learns to teleport!
Hazuki makes a move!
Now that SunFes is over, it's back to school as usual. Mid-terms are completed, and Taki-sensei hands out practice schedules for the concert band season. Kitauji High School will have to win at the prefectural level and Kansai regional level in order to move on to national competition. Unfortunately, Kitauji's bronze awards have all been at the prefectural level, meaning this school hasn't competed at the regional level, let alone the national level, within anyone's memory. Taki-sensei then drops the bomb: he wants to hold auditions to determine who will make up the competition band. I would imagine this is probably a bit less common in Japan that it might be in the U.S. Japan has a history of favoring seniority that, while present in the States, has never been nearly as predominant. The Kitauji band club has, according to Kumiko, around sixty members, and their competition group only allows fifty-five. Normally, this is resolved by having the beginners and first-years sit out, but auditions throws seniority right out the window. Of course, Taki-sensei reminds them:
..."as they SHOULD be" is still implied, however...
Just to make it sting a bit more, he goes on to point out that if you're a senior who isn't as good as a first year and you still want to compete...well, then we have a problem, don't we?
And just like when the band voted to work to compete at nationals, no self-respecting teenager is going to cop to not being better than a kohai. Taki-sensei wins again!
In bass-section practice, the auditions are very much the topic of choice. Midori/Sapphire gets it; Hazuki doesn't. If Taki-sensei doesn't like how the only contra-bass in the band plays, then maybe he just doesn't include contra-bass in his ensemble. There are only three euphoniums, too...surely there are no problems there? Unfortunately, Kumiko understands the implications to social order as well...she briefly visualizes second-year Natsuki challenging her in a dark instrument storage room for showing Natsuki up. Hazuki, bless her heart, humbly pronounces that there's no point in her even trying the auditions, she's just a beginner and next year...
Asuka proceeds to dress Hazuki down and try to explain why her thinking is flawed, using the arrival of two hypothetical transfer students next year (Ruby and Platinum Diamond Kawashima) who could just be better than Hazuki if Hazuki doesn't practice and try her hardest.
Have you ever heard Rob Paravonian's Pachelbel Rant? I won't link it here but you can find it on YouTube. The part I want to talk about is the first part of the rant, where Paravonian is complaining about the cello part in Pachelbel's Canon in D. The cello plays 8 notes, over and over. In exactly the same order every time. This, my friends, is the world of bass parts in orchestra or band. With relatively few exceptions, bass instruments don't EVER play melodies. Sometimes they play a specific counter-melody or a refrain, or a call-back or echo, but bass hardly ever carries the melody. The bad side of this fact of life is that it can be hard to develop an appreciation for your instrument when you first start playing, especially if you're meant to be part of an ensemble like a band. The good side is that you learn quickly to appreciate all the parts of music that make a complete piece, not just the melody; the tune that most people remember. A tune can be a song, and that's fine as far as it goes...in fact it can even be brilliant music, but an act of ensemble, even if it's one person creating all of the sounds, to me is the best thing in music. The point is, one of the most important discoveries of a bass-section musician's life is learning that they're actually creating music when they play their obscure, boring parts.
And that's why Rob Paravonian is, in my opinion, wrong. Although to be honest, I'm pretty sure he's just using a bit of music knowledge to create a funny comedy routine.
In episode six of Hibike! Euphonium:
Taki-sensei upsets the apple cart!
Kumiko turns the table!
Goto-sempai saves the day!
Can Hazuki save Tubacabra?
No. It's time for physicals. Much to her chagrin, Kumiko still hasn't added any inches to her bustline, despite being the tallest girl in her class and one of the tallest girls in the band club. Thankfully, Hazuki and Sapphire are both in the same neighborhood, unlike..
Now that Asuka has put everyone in their place simply by being, we can move on to important things...
Yellow Magic Orchestra is one of the most influential and popular pop acts in modern Japanese history. They were pioneers in electronic music, and their creations have even been credited as providing the stylistic foundation for the emergence of J-Pop in the 1980's.
This is one of their biggest hits from 1979, Rydeen:
But that's not important right now.
Coming up in Episode Five of Hibike! Euphonium:
Asuka gets new clothes!
Reina saves the day!
Kumiko finds her voice!
Episode 4 starts with the sectional head meeting. While Kumiko narrates the event like it's a G8 summit meeting and Reina plays trumpet outside just to make sure EVERYONE GET'S THE POINT, President Haruka realizes a slim majority of the section leaders are in favor of complaining to the principal about Taki-sensei. At least, until Asuka speaks up with an equivocal statement, which isn't what Haruka thought she was going to get. Somehow, though, the section leaders decide to give Taki-sensei a week before turning him in. While explaining this to the rest of the band, the man himself walks in and chews them out for scheduling a section-leader meeting when they could have been practicing. Now, it's time to get cracking:
While the members of the band are shocked, this didn't surprise me...I was actually surprised that the band members didn't expect this. After all, "Sunfes" is a marching event. They told us that last week. And while I don't make any claims to being a great athlete, playing a wind instrument while marching in 90 degree, or 80 degree weather isn't something you just pick up and do. Now, granted, teenagers are generally in better shape than the rest of us by default, but it's not light exercise. And if this group is going to participate in Sunfes, then they've got to be in good shape.
Wait, wait, wait...participating in Sunfes? Who said anything about that? In fact, Taki-sensei reiterated not more than 30 seconds ago that, no bull hockey, unless this band is almost infinitely better in a week, they are NOT going to Sunfes. So there. Why even bother? Why run a lap around the school in the ninety-second time limit Sensei is demanding? This isn't up for debate, starting now, get your ass in gear, oh crap...
And unlike R. Lee Ermey, the smile never leaves Taki-sensei's face...
The typical brasswind mouthpiece is made of brass and has silver plating. Various design elements affect how the air pushed past your lips vibrates, which in turn affects the tone and resonance of the sounds made by your instrument. The most used range in size from one or two ounces for the smallest and thinnest, up to a pound for a large tuba mouthpiece. The part that goes against your lips, the rim and cup, makes up most of the mass of a mouthpiece, while the part that sticks into the instrument is effectively just a thin-walled wind tunnel.
This means they are also very effective weapons. You can use them as brass knuckles or throw them very effectively.
Either way, they hurt. A lot. Ask me how I know. Or not. It's not an interesting story, and goes about how you would imagine.
In episode four of Hibike! Euphonium:
Reina contemplates murder!
Taki-sensei offers hope with one hand while slapping faces with the other!
Asuka saves the day!
Ok, look. This is gonna be a short one. This entire episode is basically a training montage, just with some nice (and interesting) bits thrown in. Don't know if I'll get it put up tonight or closer to this weekend. Or maybe this weekend, in fact. Can't do it tomorrow, can't do it tomorrow night. Don't know about Friday yet. Anyway, it won't be too long.
Here is exactly what Reina Kousaka has said through this entire series so far. Episode Two was the real standout.
"No, I'd like to join."
"What's wrong? Are you OK?"
"Kita Middle School."
"Aside from band, I also take lessons."
"Thank you for your praise. I'm delighted."
"You're still playing euph in high school? I see."
"Please take that desk for me."
We're just gonna file that away for now. Anyway, Reina says her LINE from Episode Three right at the beginning, to Kumiko. Thankfully, Kumiko has finally accepted that there is no outstanding conflict between herself and Reina.
And we can finally put that little bit of drama behind us...for now....